Incredible music.
In the key of easy.
Radio One and CBC Music. CBC Music Schedule and Playlogs. AA aH aI aN aU aW aX aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az bK bN bT bU ba bb bc bd be bf bg bh bi bj bk bl bm bn bo bp bq br. Lyrics: Old Deacon Splivin', his flock was givin' The way of livin' right, Said he No wingin' no ragtime singin' tonight Up jumped Aunt Hagar, and shouted out with all her might Oh, taint no use o' preachin' Oh, taint no use o' teachin', Each modulation of syncopation Just tells my feet to dance, and I can't refuse When I hear the melody they call the blues; Those ever lovin' blues. 3,915 likes 9 talking about this 1 was here. Livres PDF telecharger gratuit.
GarageBand is a fully equipped music creation studio right inside your Mac — with a complete sound library that includes instruments, presets for guitar and voice, and an incredible selection of session drummers and percussionists. With Touch Bar features for MacBook Pro and an intuitive, modern design, it’s easy to learn, play, record, create, and share your hits worldwide. Now you’re ready to make music like a pro.
Start making professional‑sounding music right away. Plug in your guitar or mic and choose from a jaw‑dropping array of realistic amps and effects. You can even create astonishingly human‑sounding drum tracks and become inspired by thousands of loops from popular genres like EDM, Hip Hop, Indie, and more.
More sounds, more inspiration.
Plug in your USB keyboard and dive into the completely inspiring and expanded Sound Library, featuring electronic‑based music styles like EDM and Hip Hop. The built‑in set of instruments and loops gives you plenty of creative freedom.
The Touch Bar takes center stage.
The Touch Bar on MacBook Pro puts a range of instruments at your fingertips. Use Performance view to turn the Touch Bar into drum pads or a one-octave keyboard for playing and recording.
Plug it in. Tear it up.
Plug in your guitar and choose from a van-load of amps, cabinets, and stompboxes.
Design your dream bass rig.
Customize your bass tone just the way you want it. Mix and match vintage or modern amps and speaker cabinets. You can even choose and position different microphones to create your signature sound.
Drumroll please.
GarageBand features Drummer, a virtual session drummer that takes your direction and plays along with your song. Choose from 28 drummers and three percussionists in six genres.
Shape your sound. Quickly and easily.
Whenever you’re using a software instrument, amp, or effect, Smart Controls appear with the perfect set of knobs, buttons, and sliders. So you can shape your sound quickly with onscreen controls or by using the Touch Bar on MacBook Pro.
Look, Mom — no wires.
You can wirelessly control GarageBand right from your iPad with the Logic Remote app. Play any software instrument, shape your sound with Smart Controls, and even hit Stop, Start, and Record from across the room.
Jam with drummers of every style.
Drummer, the virtual session player created using the industry’s top session drummers and recording engineers, features 28 beat‑making drummers and three percussionists. From EDM, Dubstep, and Hip Hop to Latin, Metal, and Blues, whatever beat your song needs, there’s an incredible selection of musicians to play it.
Each drummer has a signature kit that lets you produce a variety of groove and fill combinations. Use the intuitive controls to enable and disable individual sounds while you create a beat with kick, snare, cymbals, and all the cowbell you want. If you need a little inspiration, Drummer Loops gives you a diverse collection of prerecorded acoustic and electronic loops that can be easily customized and added to your song.
Powerful synths with shape‑shifting controls.
Get creative with 100 EDM- and Hip Hop–inspired synth sounds. Every synth features the Transform Pad Smart Control, so you can morph and tweak sounds to your liking.
Learn to play
Welcome to the school of rock. And blues. And classical.
Get started with a great collection of built‑in lessons for piano and guitar. Or learn some Multi‑Platinum hits from the actual artists who recorded them. You can even get instant feedback on your playing to help hone your skills.
Take your skills to the next level. From any level.
Choose from 40 different genre‑based lessons, including classical, blues, rock, and pop. Video demos and animated instruments keep things fun and easy to follow.
Teachers with advanced degrees in hit‑making.
Learn your favorite songs on guitar or piano with a little help from the original recording artists themselves. Who better to show you how it’s done?
Instant feedback.
Play along with any lesson, and GarageBand will listen in real time and tell you how you’re doing, note for note. Track your progress, beat your best scores, and improve your skills.
Tons of helpful recording and editing features make GarageBand as powerful as it is easy to use. Edit your performances right down to the note and decibel. Fix rhythm issues with a click. Finesse your sound with audio effect plug‑ins. And finish your track like a pro, with effects such as compression and visual EQ.
Go from start to finish. And then some.
Create and mix up to 255 audio tracks. Easily name and reorder your song sections to find the best structure. Then polish it off with all the essentials, including reverb, visual EQ, volume levels, and stereo panning.
Take your best take.
Record as many takes as you like. You can even loop a section and play several passes in a row. GarageBand saves them all in a multi‑take region, so it’s easy to pick the winners.
Your timing is perfect. Even when it isn’t.
Played a few notes out of time? Simply use Flex Time to drag them into place. You can also select one track as your Groove Track and make the others fall in line for a super‑tight rhythm.
Polish your performance.
Capture your changes in real time by adjusting any of your software instruments’ Smart Controls while recording a performance. You can also fine‑tune your music later in the Piano Roll Editor.
Touch Bar. A whole track at your fingertips.
The Touch Bar on MacBook Pro lets you quickly move around a project by dragging your finger across a visual overview of the track.
Wherever you are, iCloud makes it easy to work on a GarageBand song. You can add tracks to your GarageBand for Mac song using your iPhone or iPad when you’re on the road. Or when inspiration strikes, you can start sketching a new song idea on your iOS device, then import it to your Mac to take it even further.
GarageBand for iOS
Play, record, arrange, and mix — wherever you go.
GarageBand for Mac
Your personal music creation studio.
Logic Remote
A companion app for Logic Pro.
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C List
What's the difference? I find it interesting in your article 'Craigslist Declassified ' [by Bradley Campell and Matt Snyders, May 7], you write about the Connecticut Attorney General pressuring Craigslist to get rid of its erotic service listings. I wonder when the Texas Attorney General will do the same to the Houston Press. Are you naive, or do you just not care where your advertising dollars come from? What is the difference between you and Craigslist? I am all for freedom of speech, but as a business, you have a right to select who your advertisers are.
Name withheld by request
Houston
Info
Timey Blues Mac Os X
Defending Dylan
An online reader responds to 'Interpreting What Bob Dylan Has To Say About Houston,' By Richard Connelly, Hair Balls blog, May 7:
Breaking it down: Okay, Richard, jokes about Dylan's voice notwithstanding, you've got it wrong. The second verse does not reference 'out back to your loving ma.' The correct transcription of what Dylan sings is this: 'If you're ever down there on Bagby and Lamar.' (Two major streets downtown, not far from City Hall).
Dylan's song, as most folks who know much about American roots music history would realize, alludes to two classic songs by Huddie Ledbetter, better known as Leadbelly (1889-1949). In this case, Dylan's title line and first verse evoke one of Leadbelly's most famous songs, 'Midnight Special' (later covered by countless folkies and rockers in the '60s and '70s). Everyone knows the chorus to that one: 'Let the Midnight Special shine its ever-loving light on me.'
Not nearly as many people realize that 'Midnight Special' is a song about getting arrested in Houston and sent to prison in Sugar Land, where the train tracks ran right past the prison near Highway 90. The folklore was that the midnight train beacon signified early release for the lucky cell-dweller. Leadbelly's song was written while he was incarcerated there.
The first verse of that one: 'If you ever go to Houston, you'd better walk right.' It was also recorded by Leadbelly with the alternate line, 'If you're ever down in Houston, you'd better walk right.' I myself allude to it in the title of my first book, Down in Houston: Bayou City Blues.
Dylan's later references to two downtown streets, Bagby and Lamar (see above), also suggest an analogue to Leadbelly's old song 'Fannin Street,' which could be about either the well-known Houston street or an identically named one in Shreveport, where Leadbelly also spent time. Tom Waits, for one, interpreted Leadbelly to be referencing Houston in that one, as evidenced by Waits's 'Don't Go Down on Fannin Street,' which opens with the line, 'There's a crooked street in Houston town.' The chorus to the Waits song also ends with the line 'I wish I'd listen to the words you said,' indicating that Waits posits his composition as a response to Leadbelly's earlier number about Fannin Street.
What Dylan (like Waits) is doing in this latest number is what he started doing almost 50 years ago: drawing from the blues and folk traditions of American music, remaking old-timey songs in his own quirky image, connecting himself — lyrically and, in his use of blues structures, musically — to the originators of our roots music tradition. Get it?
Roger Wood
PC Guy vs. Mac Guy
Online readers respond to 'Why I'd Sleep With The PC Guy Over That Mac Guy Asshole,' By Jennifer Mathieu, Hair Balls blog, May 12:
Liking Linux: It's really a misnomer. It's not 'Mac vs. PC' but rather 'Mac vs. Windows.' The PC Guy represents Windows: fat, bloated and none too well-seeing. The Mac Guy — well, you've covered that really well. They should have a Linux guy out there. Runs on PCs or Macs, not bloated, not worried about his 'image,' not trying to be grungy, stodgy, erudite or anything — just trying to be himself.
Ehud
Too much money: I won't buy a Mac simply because they're overpriced. Apple spends way too much money on advertising and they pass that cost on to the poor lil' consumer.
Cinderyella
What a bunch of assholes: I'm sitting hear reading all of your bullshit while retroverting back to Windows XP. Did I mention I was running Windows on my Mac simultaneously with OS X — oh yeah — with only 2 GB of RAM? Good luck with that Zune — douche. Vista rules!
Chuck E. Conqueso
Mac and proud: Hey, I resemble that Mac Guy. I have Sirius/XM XMU, BBC Radio 1 and the rest, and I have become more of a music snob, more willing to tell everyone that the only real music that is being played is on satellite radio. Call me a douche, but I'm right, damn it.
The only thing I hate about Apples is that you have to make an appointment to buy an effing computer. I'm not buying a car. Just sell me the damn thing already. Oh yeah, and I have to get a new iPod every two years because the damn batteries run out. I love these commercials; they're the most consistently smart and creative out there by far. It totally makes up for those awful GEICO commercials.
Anonymous
Hodgman crush: In real life, John Hodgman (the PC Guy) writes oh-so-witty books, makes regular appearances on The Daily Show and uses a Mac. He's way more Mac than Justin Long (the Mac Guy). Appearances can be deceiving. And, of course, Hodgman is totally crushworthy.
Thursday Girl
Great take: I have never thought of that commercial that way. You are probably right. I will take the PC. It's all about the passion. I don't think the Mac Guy would be giving any of that.
Elizabet
The Belt Way
Online readers weigh in on 'If You Get A Seat-Belt Ticket Soon, Don't Blame Elvis,'
By Chris Vogel, May 8:
Big bro: Not sure why it's the government's business if I want to make a stupid decision and not wear my seat belt. I can see tickets for not buckling kids up, but as an adult, I feel it's my right to fly through as many windshields as I damn well please.
Wyatt
Care costs: Because, Wyatt, we all have to pay for your long-term care bills when you take first in Darwin's Dumbest Should Die First Awards and fly through that windshield. If you could do us all a favor and just die when you fly out that windshield, then really I couldn't care less if you're too stupid to save your own life.
Kara Thrace
Mac Os Mojave
It's the law: Just put the damn thing on and quit whining about it. I don't want my taxes going to cover some fool lawsuit that you bring because you got hurt and started crying, 'They should have done more to educate me about wearing my seatbelt.'
Snikpip
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